Sony FE 12-24mm F4 G Review

What’s the Sony F-E 12-24mm F-4 G?

The Sony F-E 12-24mm f-4 G is just really actually a superior, ultra wide-angle contact lens to get Sony’s full-frame mirror-less Alpha 7series and Alpha 9 cameras. It costs # 1 1700.

Perhaps not long ago, some conversation about Sony’s Alpha 7 full-frame mirror-less system consistently began with the similar caveat: Although the cameras had been impressive the lens machine lacked the thickness to take advantage.

Currently, four years from the initiation of the authentic Alpha, the problem has now shifted. Sony has the majority of the fundamentals covered, with the complete collection of both f/4 along with f/2.8 zooms, alongside a string of leading f/1.4 primes, backed by cheaper, smaller aperture. Therefore it’s currently appearing to expand its own FE lens line up using a little more extreme, specialist optics.

Thus, the visual appeal of this Sony F-E 12-24mm f-4 G. Launched in might alongside the faster F-E 16-35mm f-2.8 GM, this 1700 lens extends the horizons of Sony’s full-frame strategy right into ultra weathered land.

Really, with a 122-degree angled angle of perspective, it’s among the broadest rectilinear zooms made for full-frame cameras; it has surpassed only by Canon’s EF 11-24mm F4L USM costing $ 1, 000 more. Nonetheless, it’s when compared with this lens that is superb, and also the 1400 Sigma 12-24mm F 4 DG HSM Art, which the Sony has to be judged — and in this respect, it functions quite well.

Sony F-E 12-24mm F-4 G — Features

To attain the lens’ huge angle of perspective, Sony has implemented a more intricate optical formula with 17 elements in 13 groups which have four aspherical elements, three constructed out of extra-low dispersion (ED) glass, and also certainly something of Super-ED glass. The aim would reach exemplary corner-to-corner resolution and sharpness while minimizing chromatic aberration.

Additionally, Sony’s Nano AR coating can be required to suppress flare and ghosting, that may be a severe issue with lenses which cover such an extensive field.

The lens is designed for use with Sony’s full-frame Mirror-less cameras

The lens’ G-Series designation puts it like a superior optic, if maybe perhaps not at exactly precisely the exact same degree as Sony’s top-of-the-range G Master collection.

The firm claims it’emphasizes a stylish balance between high res and magnificent background bokeh’, though it’s unlikely you will get much from the manner of fuzzy wallpapers in ordinary usage, once the lens has been put near its minimum focus distance of 28cm. None the less, the seven-bladed diaphragm uses curved blades at an effort to leave outoffocus is as beautiful as you possibly can.

A stationary, petal-shaped lens hood has been built in to help suppress recoil, while also providing invaluable security to its stunning, dome-shaped front part. As is normal to get a zoom wide, there isn’t any solution to install filters into the front part of the lens; Sony has not given a back holder to get gel filters. Therefore, in case you’d like to utilize neutral density or polarizing filters, then you will need to come across a third-party solution.

An Integrated hood assists shield the stunning front part

The FE 12-24mm f-4 G may, of course, be employed on Sony’s apps c mirror-less models, which it provides an 18-36mm equivalent perspective. But if you don’t take advantage of a more full-frame camera you’ll most likely be better off with the bigger, more economical, stabilized Sony E 10-18mm f-4 OSS which also provides a larger perspective on apps c.

Sony F-E 12-24mm F-4 G — Build and managing

When you’ve utilized a full-frame Ultrawide zoom earlier, then the very first thing that you will see concerning the FE 12-24mm f-4 G is its own size. Or lack of it at 87mm in diameter along with 117.4millimeters in total, it’s much more compact compared to lenses created for DSLRs.

In 565g, it is less than half of the burden of their above Canon and Sigma — an edge which stems directly from the machine’s mirror-less structure. In reality, it is not even radically larger compared to Sony F-E 24-70mm f-4 OSS ZA.

The manual focus ring is much slightly bigger in diameter but thinner than zoom ring

In spite of the lens’ lightweight, there is little to complain about with regards to create quality or tackling. The barrel outside is created of high-quality vinyl, using rubberized grips to its zoom and manual focus bands. Sony refers to that the lens like dust- and – moisture-resistant, or so the dearth of a rubber seal across the metallic lens mount comes as a surprise.

On the Face of the barrel, you’ll find a focus on button along with AF/MF switch

The zoom ring goes smoothly through roughly 80 degrees between your 1 2 and 24mm rankings, meaning it’s a simple task to get fine adjustments to an own essay. In front of this, the marginally bigger diameter manual focus ring is more — in the place of automatically — coupled into the lens’ focus group, also moves continuously without an end-stops. On the face of the barrel, you are going to locate a bodily AF/MF switch and also a massive focus. The latter’s role can be deducted from your camera, in case you would like.

Sony F-E 12-24mm F-4 G — Auto-focus

For Kinect, Sony has plumped for a direct-drive supersonic Motor (DDS) to induce the’ lens’ focus category. That really is fast and nearly hushed, meaning it’s as well worthy of video act because it’s always to stills. Along with the 7R II employed for analyzing, the focusing wasn’t likewise unerringly true — even though, as always, you must be certain that to pay due attention and care to in which you put the AF point within the framework.

I experienced no difficulty attaining accurate focus, despite off-center close-up subjects. Sony A7R II, 12mm, 1/125sec at f/8, ISO 100

Manual focus can be obtained once you require it, needless to say, and also the digitally driven focusing allows control. There is neither space nor depth of field markers on the lens, however, a simple space scale has been displayed in the viewfinder as you are focusing.

 The camera average focus helps can be found such as for example for instance magnified view and attention. If you place the focused manner to DMF afterward you might additionally secure full-blown manual override of autofocus.

Sony F-E 12-24mm F-4 G — Performance

Wide angle zooms are generally endangered in 1 way or the other: it’s only the type of attempting to leave an enormous angle of perspective having nominal curvilinear distortion and also a level area of attention. Ordinarily, I would expect you’ll find a combo of barrel distortion, chromatic aberration and smeared corner detail in larger apertures.

But, Sony has got an enormous advantage in comparison to DSLR lens manufacturers here, since mirror-less systems provide you with a greater amount of freedom concerning lens layout and style. Because of this, the 12-24mm f-4 is not just small — it has pretty striking optically, too.

Having its Ultrawide perspective, the 12-24mm will give some dramatic pictures. Sony A7R II, 12mm, 1/100sec in f/8, ISO 100

Assessing my evaluation shots, so it’s apparent that the lens remains sharp at the center, even in f/4. But in its broadest settings particularly, the corners may frequently show feature wide-angle’extending’ and blurring, which merely completely frees up round f/8-11. However, these are completely practical working apertures that I would ordinarily use on full-frame any way, therefore that I really don’t find this being a significant issue.

Within this photo, I avoided converging upright by keeping the camera degree at the 12mm setting and then gearing off the low 1 / 2 of this framework. Sony A7R II, 12mm, 1/100sec in f/11, ISO 100

Some lateral chromatic aberration is observable in the kind of complementary-colored fringing towards the corners of this image, but although on the 42.4-megapixel Alpha 7 DTC II, it’s not excess — plus it’s really simple to improve in post-processing, too. Vignetting is outstanding at wide angle, rather than goes off on quitting down. Nonetheless, it’s less of a concern on zooming in, and can be readily adjusted when necessary.

Having its enormous area of opinion, the lens is perfect for shooting interiors. Sony A7R II, 18mm, 1/60sec at f/4, ISO 250

If you are intending to utilize the lens to take architecture or insides, but you will be concerned by its own distortion faculties. At wide-angle it exhibits complex’mustache’ stimulation — in other words, either of this barrel-type towards the middle of the image but re-corrected into pincushion-type from the corners — in a way that straight lines have been drawn as wavy across the upper and underside of this framework.

This may make things difficult for those who want those traces to be left directly on your own graphics. Realistically, the only real solution is to utilize profiled corrections on your preferred Raw converter. Fortunately, things get easier on zooming in, also by 16mm the lens displays readily correctable pincushion distortion.

The lens gives attractive 14-ray sunstars and features arc-shaped flare layouts. Sony A7R II, 13mm, 1/30sec in f/22, ISO 100

With a lens, this wide, flare behavior can be important, because you can frequently wind up with sunlight or other bright light sources on your own shots. 1 noticeable characteristic of the 12-24mm can be that a touch flare pattern of glowing hair-line arcs concentric with the source of light, which eventually become more clearly defined on stopping the aperture down.

 Additionally, you will see well defined 14-point sunstars at small apertures. But, there exists a noteworthy absence of image-degrading veiling flare, also generally the lens will be well behaved in this aspect.

Sony F-E 12-24mm F-4 G — Sharpness

As stated by our Picture Engineering MTF evaluations, the lens is very sharp at the center in maximum aperture. But typically for this wide lens, even the corners of this image lag behind much, even though the distinction is most likely exaggerated at the near spaces required for our graph testing. Best answers must be enjoyed at f/8.

Sony F-E 12-24mm F-4 G — Vignetting

A casual look into our charts shows substantial vignetting in 12mm. Stopping down the lens to f/8 reduces the amount approximately 1.3 ceases, however it will not lower further at smaller apertures. The corner fall off reduces somewhat in longer focal lengths, even though it can continue to be observable at f/4, it gets insignificant on quitting right down into f/8.

Sony 12-24mm: Vignetting in 12mm f/4

Sony 12-24mm: Vignetting in 24mm f/4

Sony F-E 12-24mm F-4 G — Distortion

Ordinarily, for this type of lens, the lens shows very good barrel distortion at its widest setting, turning into relatively mild pin-cushion on zooming past 14mm. It might be adjusted in a camera employing the Lens Compensation menu setting to get shots which want direct lines to be left properly.

Sony 12-24mm: Distortion in 12mm (SMIA television = -3.0percent )

Sony 12-24mm: Distortion in 24mm (SMIA television = 1.7percent )

Must I Get the Sony F-E 12-24mm F-4 G?

For those who require a wide angle zoom for Sony full-frame mirror-less, then your FE 12-24mm f-4 G is not difficult to recommend. Not just could it be that the only real indigenous FE-mount option, however, it is not exemplary, but manages well too. In principle, make use of an adapted d SLR lens alternatively, however the Sony’s size and weight gain signifies there is a little reasonable point.

The 12-24mm is Definitely a market lens but it is a very great one

The larger question, perhaps, is if you require this type of wide perspective. Such lenses are clearly niche, and simple to use efficiently, placing great demands in your own compositional capabilities.

If you are only buying broad zoom to match a 24-70mm common zoom, then the FE 16-35mm f-4 OSS remains an even more practical option. It is weatherproof stabilized, may accept filters, also it’s only a lot more manageable to take it with. Meanwhile, as c users will most likely receive much better value from the 700 E 10-18mm f-4 OSS. That is certainly not to imply the F-E 12-24mm f-4 G does not always have its own place — only that it is really a niche, as opposed to a mainstream option.


If you are a Sony full-frame mirror-less user and understand that you can make decent use of its astounding area of opinion, the Sony F-E 12-24mm f-4 G is going to get you pleased.

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