Fujinon XF 35mm f/2 R WR Review

Fujinon XF 35mm f/2 Dtc WR Inspection — Launch

Fuji Film happens to be open about its own plans for prospective lenses and also the evolution of fresh optics. The company’s road-maps supply a fantastic clue regarding what we could get to see later on and a lens we are excited to receive our hands on since the very initial rumors started moving is your XF 35mm f/2 WR.

While much x series users will probably know, Fuji Film already features a wide-aperture 35mm lens at its own assortment of XF sequential lenses, that begs the question, why the demand for a different?

The Fujinon XF 35mm f/2 Dtc Comes with a guide ring spanning f/2-f/16

You’ll immediately discover that the XF 35mm f/2 DTC WR has an alternative design compared with all the three-year-old XF 35mm f/1.4 R. Though the most aperture is an end thinner, the lens is much milder and it has been made bigger to be sure it is really a fantastic match together with cameras at Fuji Film’s series, for example, tiniest entry models.

When anybody who possesses or has tried outside the elderly XF 35mm f/1.4 DTC will probably understand, it is going to require something truly unique to conquer this leading lens, which during that time of writing has fallen underneath #300 because of the latest Fuji Film cashback promotion. With the XF 35mm f/1.4 DTC at a very tempting price and also the coming of the XF 35mm f/2 DTC WR, x series users looking for a 35mm prime lens possess a difficult choice to create.

Fujinon XF 35mm f/2 Dtc WR Inspection — Features

The appeal of this XF 35mm f/2 DTC WR is its own focal length, that introduces a more pure view. With the 1.5x crop variable taken under account, the lens is comparable to 53mm in 35mm film conditions, which sees it slot involving producer’s super XF 23mm f/1.4 DTC along with XF 56mm f/1.2 up lenses, which can be equal to 34.5millimeter along with 84mm respectively.

As briefly touched upon the aperture scope will not open as often because the elderly XF 35mm f/1.4 dtc, however, the reason for earning front part bigger and limiting the aperture into f/2 has played its own role in ensuring it’s lighter and compact, though just by way of a meager 17g.

The Fujinon XF 35mm f/2 Janin is a Superb game with smaller Fuji Film Xseries versions like the X-T10

The building of the lens consists of two elements in six classes, together with just two elements function as the aspherical type. This is really just a more intricate arrangement compared to eight elements in six classes since seen within the XF 35mm f/1.4 Janin.

It sports a much-increased multitude of diaphragm blades, so too (twice as compared to seven), which ought to view it leave rich circular bokeh once the lens can be used at wide apertures.

At the bottom of the barrel, you will discover it’s tagged a weather-resistant lens. This really is among the vital features with the lens and its own particular weather-resistant design is composed of eight guards to protect it from dust, rain and also moist surroundings which could usually force us to keep our kit off to reduce damage. Additionally, this makes it be utilized in temperatures as low as -10ÂșC.

It comes provided with a lightweight and lightweight curved lens hood which screws into the front of the lens

Like additional Fujinon primes, it will not contain optical image stabilization. This must not be depended upon, so as optically stabilized 35mm lenses are rather rare and it’s really a feature that is not consistently deemed completely essential on this kind of wide-angle lens at which slight moves of this camera cause fewer interference.

Compare the minimum focusing distance of the lens into your XF 35mm f/1.4 DTC also it’s the latter which gets got the advantage. While this lens comes with a near-focus limitation of 35cm, the XF 35mm f/1.4 DTC could focus marginally closer, to within 30cm.

The interior functioning system prevents the front part from moving and also the truth that it takes adapters and filters using a tiny 43mm thread usually means any accessories that you do buy because of you’re inclined to become slightly more affordable.

The lens includes furnished with a lightweight and lightweight curved lens hood which screws into the front part of the lens, however for all those people who would like an even stronger one additionally there is a fashionable metallic hood (LH-XF35-2) readily designed for approximately #40. Both hoods were created in a way they allow front lens cap for use once they are attached.

Fujinon XF 35mm f/2 Dtc WR Overview — Auto-focus

The focusing performance with this particular lens is much more advanced than this XF 35mm f/1.4 R. Internal working averts the leading part of the barrel protruding just as it will do on the elderly lens also, unlike the XF 35mm f/1.4 ep, that is renowned in making some quite loud whirring sounds as it targets, this newer lens will be much, much more silent.

The brand newest Fujinon XF 35mm f/2 Page1=39 attached into the X-T10 and also the elderly XF 35mm f/1.4 Dtc along Side

It isn’t merely simpler — it’s faster, too. Shifting back and forth between new and old demonstrated the focusing rate with this particular lens is at a totally different league. When coupled together with the X-T10, it latched onto issues right and responsively at a portion of the period it required to locate focus employing the XF 35mm f/1.4 R. Fuji Film has ranked that the Kinect purchase rate at 0.08secs plus it seems equally as quickly as this in usage.

Fujinon XF 35mm f/2 Dtc WR Inspection — Build and managing

Fujinon primes have a reputation to be engineered into a high quality and also the XF 35mm f/2 DTC WR isn’t an exception.

It’s really a made mind blowing and its own particular glass and metal structure give it exactly that the type of superior feel you ought to look for out of the lens you wish to continue.

 There exists a gap in diameter between the back and the front part of the lens, leading to the aperture ring being marginally larger compared to manual focus ring at the front. The lens appears smart attached with series cameras also does not feel or look out of place if it is combined into the tiniest entry-level models like the X A2.

Our review sample has been supplied in dark, however, people that picked their x series camera at a silver finish is likely to undoubtedly soon likely probably be pleased to know that this lens will be available in silver to complement.

Fuji Film make the Fujinon XF 35mm f/2 Janin within an all-silver end to decorate silver Xseries versions

The caliber does not only lie in its own appearance; it has really a lens which works smoothly and precisely, too. The aperture ring clicks throughout its scope in 1/3-stop increments and in the place of having little rotational immunity like there was certainly still on the XF 35mm f/1.4 Frazee, there exists a milder feel for this if it has flipped.

Exactly the exact same might be said in regards to the manual focus ring. It’s much less free turning whilst the 35mm f/1.4 and feels a bit more elegant even though it being somewhat smaller. 1 possible explanation for this improved texture of the manual and aperture focus bands might possibly be the accession of internal weather seals; even whenever you un-couple the lens out of the camera, then you can also observe a rubber band at the back that effortlessly protects it from the metallic lens mount.

The size gap between the XF 35mm f/1.4 Ep (left) and brand fresh Fujinon XF 35mm f/2 Runciman (correct ) is evident

Rotating the aperture ring anti-clockwise to the further point will place it into its’ setting, and glancing down at the lens out of above you’ll observe the focal length has been indicated on the barrel, that was not on the elderly 35mm f/4. Not having buttons on the barrel keeps a minimalist and clean look and though it’s a bigger and more compact lens, so I discovered that the gap between weight to become slight.

Fujinon XF 35mm f/2 Dtc WR Overview — Image-quality

There’ll soon be Fuji Film x series users out there now taking a look at this particular lens needing to discover how well it stands from the XF 35mm f/1.4 R. I am pleased to mention it’s an optical noise lens which produces some seriously adequate outcomes.

Owning a number of comparison tests with 35mm lenses put to the exact aperture shown that the XF 35mm f/2 DTC WR produces fractionally better results at the middle of the framework once the ion value is put to f/2. The exceptional amount of sharpness that is solved at the aperture would be welcome news for all people who would prefer to enjoy to generate a super-shallow thickness of field.

Nevertheless, corner sharpness fights to accommodate precisely exactly the exact identical degree of sharpness whilst the center, therefore it is well worth remembering to write subjects as essential into this framework as you possibly can when shooting f/2. Repeating the contrast process after quitting down both lenses to f/4 and also f/5.6, ” I found my own results to be equal as well as eloquent as each other around the framework. Diffraction starts to soften the best detail in f/11 and f/16, therefore to keep optimal sharpness out of edge-to-edge users may want to take between f/4-5.6 with this lens.

The lens vignettes marginally more compared to the XF 35mm f/1.4 Runciman spacious open, together with corners seeming approximately 0.9EV darker compared to the center in f/2. At f/2, the vignetting isn’t too offensive and can be quickly removed by stopping down the lens into f/2.8. Chromatic aberrations are managed pretty well, with just little green and purple fringing being tracked along some high contrast advantages.

Both the vignetting and chromatic aberrations ought to be an instant one-click fix the moment a lens is created to your lens and also offered as a portion of an Adobe upgrade.

Distortion was controlled on the elderly XF 35mm f/1.4 DTC, therefore how can this compare with this newer picture? Whereas the elderly 35mm f/1.4 is more likely to produce small barrel stimulation, this lens produces a minimal quantity of pincushion distortion.

This was adjusted for in JPEG records owing to this X-T10’s effective in-camera processing. Though it is perhaps not instantly obvious in real time raw files, end consumers are going to desire to improve to it by using the appropriate lens in the future.


The lens produces exceptional sharpness at the middle of the framework wide available in f/2, also has been secure thinner as soon as the aperture is shut down with some ceases. There exists a jump in sharpness by stopping down the lens to f/2.8 and the middle of the framework remains always sharp upward to f/8.

The sweet area of edge-to-edge sharpness can be bought at f/5.6 also it’s really just once you start to push outside f/8 to f/11 and f/16 which diffraction gradually starts with an impact on the degree of sharpness.


Vignetting is evident in pictures shot at f/2, together with corners emerging approximately 0.9EV darker compared to the middle of the framework. Corner shading improves quickly and by stopping down the lens into f/2.8 the borders appear less than 0.5EV darker compared to the middle, that I discovered to be scarcely noticeable within my own real-life graphics. We’re now awaiting a lens to be offered from Adobe for both Lightroom, Photoshop and Camera Raw.

Curvilinear distortion

A report on the distortion graph showed that the lens exhibits signs of pincushion distortion, whereby the right lines towards the border of this framework bow. This is simply not a significant problem, even though, since you’re going to be hard pressed to notice it if you don’t go searching for this. This can be not the same effect to Fuji Film’s XF 35mm f/1.4 up lens, making a minimal volume of barrel distortion from its own images.

Fujinon XF 35mm f/2 Dtc WR Overview — Verdict

Having broadly analyzed this particular lens, I will say with full confidence it is up there as among my favored series lenses. Yes, it has an end lower than the XF 35mm f/1.4 DTC, but its miniature size is perfectly paired to series cameras like the X-T10 along with X T1. The truth is that it’s less bulky makes the camera feel that bit more comfortable to take with you, and also the visual texture of this manual and aperture focus bands causes it to be pleasurable to function.

Centre sharpness and bokeh is magnificent in f/2, plus it goes on its own business of focusing within an ultra-quiet and super reactive method. Insert weather-resistance into the mixture and you have a remarkably strong lens which seems to be great, feels great and it has the performance to fit.

It’s really a multipurpose lens that is ideal for street, portraiture and reportage photography, also in #300, it is really a wonderful entry point for x series users seeking to obtain their initial prime lens. If you don’t actually want the additional stop which the XF 35mm f/1.4 DTC provides, I would settle with this particular lens beforehand of it.

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